"As I pulled up in the bus to Summerfest, I saw our stage. Even from afar, I saw the distinct shape of the JBL A12 and I knew It was going to be a good day. The power, signature, and coverage was excellent. "
— Ken "Pooch" Van Druten (FOH Engineer)
"I just finished mixing the show, on the VTX A12. Killer set, everything sounded amazing and I feel like the crowd loved it."
—Reiley Brinser (FOH Engineer Ozomatli)
"The VTX A12 has the clarity and plenty of volume that I needed. Also, the new B28 Subs had enough low end to shake the crowd. It is a very balanced rig that you can run hard. JBL has never let me down."
—Matthew Stevens (FOH Engineer Better Than Ezra)
"Mixing in the box is only as good as the speaker at the end of the chain. The JBL VTX-A system I encountered at Summerfest created a beautiful experience. The sound matched the excitement in the air while the deep bass response surrounded and kept us all grounded."
—Timothy Burkhead (FOH Engineer Leon Bridges)
"Using the VTX A-12 at summer fest was a lot of fun its sounded great. Nick did a fantastic job tuning the pa for the venue. I tuned REO into the pa in about 2 minutes, really had a good time."
—Joe Walsh (FOH REO Speedwagon)
"Let’s be honest. JBL is #1 on my list of preferred PA’s and I prefer a loudspeaker that is honest to my mix and the band. I never run out of headroom, punch or clarity with JBL."
—Chris "Cookie" Hoff (FOH for Styx)
"The definition and stereo imagery of the boxes were next level. The B28 Subs were so much, I had to lower them by about 10db during my sound check and also for showtime, which I almost never do for Hip Hop performances. To be clear! There were a lot of subs, but very punchy and smooth."
—Courtney Taylor (FOH for G Eazy)
